by Barbara Vujanović
Abbot Hall is the first gallery in the country to host an amazing Spotlight Loan exploring how Auguste Rodin took inspiration from the fragments of ancient Greek and Roman statues. Barbara Vujanović, who conceived the loan, explains how it came about:
Sometimes things in life (and work) fall into place so flawlessly and easily, like pieces of a well adjusted mosaic.
The story behind my involvement with the British Museum, and working on the exhibition Rodin: rethinking the fragment seems to be one of those examples.
In 2015, I had the pleasure to co-author the retrospective of Auguste Rodin in Zagreb. Working with my colleagues from the Musée Rodin, namely with Véronique Mattiussi, enabled me to expand my knowledge on one of the greatest modernisers of sculpture.
I am dealing with the art of the Croatian sculptor Ivan Meštrović, an artist who was marked by Rodin’s art and his friendship, and I became more and more interested in their mutual passion for antique and classical art. In fact, this is the subject of my PhD research, so I was very happy to meet Ian Jenkins, Senior Curator at the British Museum and an expert on Ancient Greek sculpture, in 2015 in Zagreb, just a few months after seeing his marvellous exhibition at The British Museum, Defining beauty – the body in ancient Greek art.
At the time he was preparing the project of the exhibition Rodin and the art of ancient Greece, and our interests on antique and modern sculpture overlapped, Ian Jenkins kindly proposed me for the British Museum’s International Training Programme. The six weeks I have spent in London and in Manchester in 2016 were an incredible experience.
Working with Ian Jenkins and his colleague Celeste Farge, co-author of the aforementioned exhibition on Rodin and antique art, turned me towards a challenging subject of the antique fragmentary sculpture influence on modern artist, mostly on Auguste Rodin.
Therefore, when I was invited to conceive a Spotlight Loan exhibition, with the help of my dear mentors, Ian and Celeste, I was naturally driven to the question of fragments.
Not only was it one of the themes of the Rodin exhibition at The British Museum, but also the very nature of the Spotlight Loan programme, which is based on the selection of just a small number of objects, turned me toward the intriguing logics of the fragment.
How one part or an object invokes another one, how one fragment can change our perception of the whole? I was thrilled to make the selection for this exhibition, but what excites me even more, is the anticipation of other fragments, pieces of the mosaic which will be added at Abbot Hall Art Gallery.
I am very keen to learn about Rodin’s influences on Elisabeth Frink’s art. I believe that we, the curators, can provide the best projects once we understand we are all part of this large mosaic of knowledge, passion for art, culture and history.
I am looking forward to seeing those other pieces of the mosaic in Kendal, and I am hoping they will lead us towards some new experiences and discoveries.
Barbara Vujanović, Senior Curator, The Ivan Meštrović Museums – Meštrović Atelier, Zagreb.
Auguste Rodin: rethinking the Fragment, is now open until 27 October. https://www.abbothall.org.uk/rodin
Elisabeth Frink Fragility and Power, runs until 29 September. https://www.abbothall.org.uk/elisabethfrink
Barbara Vujanović will visit Abbot Hall on 27 September and give a talk: Auguste Rodin’s The Thinker: revolutionising modern art. To book https://www.abbothall.org.uk/rodinandhisinfluences.
Image: Auguste Rodin, The Thinker, 1880-81, The Burrell Collection © CSG CIC Glasgow Museums Collection.