“For me, this is an opportunity to find out what George got up to in his studio – what makes him tick and do what he does. And I want to know what it was like for Colin, working with a living artist in a gallery known for its old masters who died centuries ago.”
Working with artists is an exciting opportunity for any arts organisation. It’s an opportunity to learn about their working practice and connect more with their work. You get to find out about their time in the studio, some of the frustrations, moments of insecurity, and the moments of inspiration and joy.
This year at Abbot Hall we are lucky enough to be working with two artists. The first, George Shaw, has an exhibition with us that’s open until Saturday 11 March. The second is Julian Cooper, whose exhibition, celebrating his seventieth year, opens on Friday 7 April.
Through working with artists, curators are able gain an insight into a working practice and a rational that may not be seen by simply looking at an artwork. By going to an artist’s studio, by helping them shape an exhibition, they can create a bond with the artist and gain a deeper understanding of their work.
This week we are fortunate enough to welcome Colin Wiggins, Special Projects Curator at the National Gallery, who will be giving two talks at Abbot Hall. George Shaw describes Colin as his “handler”, who guided him through the duration of his two-and-a-half-year residency at the National Gallery. When George panicked six months in, realising that he’d lost his way under the pressure, Colin was there to reassure him it had happened to those who had gone before him, including Paula Rego and Peter Blake.
Colin worked closely with George, as his main point of contact during his residency, and to help shape the outcome – the exhibition George Shaw: My back to nature, which is now at Abbot Hall, and the subsequent exhibition catalogue.
Lost and Found: Into the woods with George Shaw is a tour by Colin of George’s exhibition at Abbot Hall. It will shed light on the relationship between artist and curator, the way in which George responded to the National Gallery’s collection and the work he produced. It promises to be an interesting tour, full of personal insights and anecdotes.
Colin will also be giving a breakfast talk, Carry on Constable: Three National Gallery masterpieces reinterpreted, which will look at the three works on loan to Abbot Hall from the National Gallery. These works, by Piero del Pollaiuolo, Nicholas Poussin and John Constable, influenced and inspired George. Colin will discuss how George tackled the pressure of taking on the Masters, and how he found new meaning in the National Gallery’s collection to create new and poignant work.
These talks will open up George’s works, taking them from the walls and transporting them back to the studio at the National Gallery, revisiting the process of their creation and exploring the works that inspired their creation through Colin’s personal experience with George.
To book for either or both of these tours, please call 01539 722464.